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How To Write A Chorus Chord Progression

How To Write A Chorus Chord Progression. The first 6 chords of the progression are in a sequence, and below each chord the chromatic melody note is written. Write out the major chords from the c major list:

Structural Chord Progressions
Structural Chord Progressions from music.randyellefson.com

If you find that the chorus sounds as if it’s happened too soon, try inserting 4 bars or so, something that generates musical energy toward the first chord of the chorus. The message in the words and the message of the music need to agree. You might also try to widen the range of the melody so that it reaches for higher or lower notes than the verse does.

Write Out The Major Chords From The C Major List:

Dm em f em |dm em f g. The pentatonic scale that we’ll base our melody on is g (tonic), bb (minor third), c (fourth), d (fifth), and f (minor seventh). The verse chord progression is very simple, and/or is the same as the chorus chords.

When We Choose Chord Progressions, We’re Choosing A Mood That Gives The Listener A Musical Interpretation Of The Lyric Message.

Let’s build a melody from the two bar repeating chord progression below in the key of g minor. Now time to create a chorus progression: A mundane chord progression allows your melody and lyrics to take the lead, and that’s usually a good thing.

If You Find That The Chorus Sounds As If It’s Happened Too Soon, Try Inserting 4 Bars Or So, Something That Generates Musical Energy Toward The First Chord Of The Chorus.

To create song verses and beg for the chorus, start by writing out the seven chords that belong to the key you’ve chosen for your song. Change up the rhythm, change up the chord progression, shift into a different vocal register. C f g from those three chords, improvise a progression, throwing in an occasional minor chord, for example c f dm g |c f dm g |am f dm g |am f dm g

You Might Also Try To Widen The Range Of The Melody So That It Reaches For Higher Or Lower Notes Than The Verse Does.

If it’s in a major key, try verse progressions that focus mainly on ii, iv, v and vi, moving to i, ii, iv and v for the chorus. Devise a chord progression, and then make a new progression that simply replaces chords with substitutions, and use it as your chorus progression. The chords are g minor / bb major / eb major / c minor.

That’s Why You Want To Make Sure You’re Contrasting Between Your Verses And Your Choruses.

Ultimately, it’s on you to experiment with the above charts to see what sounds good, and what does not. The musical mood will always outweigh the lyrical message. In other words, your verse may sound great, but if it sounds like the chorus is arriving too soon, you’ll want something to make the listener wait a bit for that chorus.

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